Category Archives: Writing advice

To Write, You Must Write

This is some advice I read and heard frequently, but seemed a bit obvious and I didn’t pay that much attention to it to begin with: The most important thing to do, if you want to be a writer, is write.

It’s a pretty obvious piece of advice, right? If you want to do a thing, you need to do the thing. I found that for me, at least, it was a bit of advice that I actually found really difficult to internalise and act on. You need to actually write on a regular basis. It doesn’t matter what you’re writing, you just need to actually do it. If you’re stuck on a scene in your manuscript, just write a short story or random scene or literally anything else. It doesn’t matter, as long as you get into the habit of writing on a regular (daily/weekly) basis. Often, the hardest part of this is actually sitting down and opening up Microsoft Word.

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For me, I found that setting a daily word count goal was my best bet. I set a goal of 500 words per day, every single day. If I had something on and knew I wouldn’t be able to get the time to write, I made the effort to write more in preceding days, so at the end of the week I still hit my quota. This is how I wrote my unpublished first novella, it’s how I wrote Prometheus’ Daughter and it’s how I wrote The Flame’s Burden.

I’ve already said that I’m intending on starting on my manuscript for my next book tomorrow. I’m planning on re-starting up my 500 words a day goal. What this means for me is that I have a firm goal for when the first draft will be done. If I write 500 words a day, and the novella is planned to be 45,000 to 50,000 words long, that means it should take me no more than 100 days. Counting that out, my first draft should be complete on 5 September 2016.

With the predicted date of completion of the first draft being at the start of September, I am almost certain I won’t get it published by the end of the year. That’s a little disappointing, to be honest — my initial plan was to put out a book per year while I was working full-time. My own fault for spending four months doing very little writing. At least now I have a goal in mind and a plan for when it’ll get done.

I might still try for it. If I can get the draft done early and be disciplined about my editing work, and my editor isn’t especially busy, and I can get my artist started on the cover early… That’s a lot of ifs, so it’s definitely not my realistic goal at the moment. It’s a little bit of an extra motivator in the back of my mind, though.

Either way, I’ll report in tomorrow with my progress.

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Costs of Publishing a Book

So, one of my friends linked me to a blog post about how expensive it was to self-publish a book, and I was really surprised at the figures being tossed around. I thought I might talk about how much it cost me, in total, to put out my first book. I’ll tackle the issues roughly in the same order as that blog post.

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Editing
This cost me nothing. I have years of experience doing professional editing work for the Government myself, so when I have a few passes through a manuscript it’s in pretty good shape. On top of that, I have my good friend Nathan, who is a fellow writer and has also done editing work for the Government for many years. Nathan, I think, is living a little vicariously through me when it comes to actually finishing and publishing stuff, so he charged me nothing.

Design
This includes internal layouting and the cover. I did all the layout work and such myself, so that cost me nothing at all. As for the cover… again, I’ve been blessed with great creative friends who want to help me succeed and are willing to donate their time. Yolanda, my artist, is my ex-partner and a very good friend. She charged me nothing to design the cover, and I got something I was very happy with.

eBook Design
I did this all myself, it cost nothing.

Printing
I wasn’t super confident about moving a lot of print copies myself, so I did a very small initial print run, sold out very quickly, then did a second small print run, almost sold out, then did a third small print run. I could have saved a decent chunk of money by ordering a larger print run right up (that’s what I did with my second book). I ended up paying roughly $5.50 per book (which is way too much!), with a total print run so far of 200 and sold most of them at $10 each. I’ve got a small amount left (maybe 20?). Online sales have been better than my print sales. My initial print run was only 70 books, so my initial up-front cost was around $385.

Bookstore Distribution
The blog post recommends not bothering with this, as online sales are king. I agree, and while I did contact a number of bookstores, get it on some actual shelves, and it didn’t cost me anything extra… I regret wasting the time and effort. For the effort to profit ratio, this is an extremely poor way to spend limited resources for a self-published author.

Extras
I do my distribution through Amazon, and to sign up with CreateSpace you need an American EIN, which cost me $10 in phone calls to get. Bowker, the ISBN/Barcode people, charged me a $55 first-time publisher fee, $84 for ten ISBNs (I used three, one for print, one for ebook, one for pdf, so plenty left over for two more books), $45 for a barcode for the print version. I pay $12 annually for this webspace. That’s about all my extras.

The blog post also mentions coaching costs, photography costs (I got a headshot done by an amateur photographer friend for free), and marketing as well. I didn’t pay anything for any of these.

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After all that, the sum the blog quotes comes to $3,000 at the low end to about $11,450 at the high end, not counting bookstore distribution.

My own total cost was about $600, including my initial print run. Now, if I’d had to pay for editing and cover art, I could maybe see my costs rising match the very low end of the figures it talks about.

I guess I just want to show that it’s not as expensive to self-publish as some people might lead you to believe.

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Know your format

There’s a lot of advice out there for writers. Some of it is fairly obvious, some of it is fairly useless, and some of it is contradictory. I’m not some incredibly successful author with a heap of credits to my name, so I have little grounds to go on when giving advice on writing. However, there is one piece of advice I really wish I’d been given, something that I didn’t read anywhere or hear at a lecture.

It’s incredibly important to understand what format you’re most comfortable working in.

I’ve been writing since I was in primary school. Right from the start, I wanted to write big fantasy epics, enormous doorstopper novels that contained hugely complex plots and beautiful, detailed worlds. I started worked drafts for a few, at various points, but I always ran out of steam or got distracted or my depression was acting up or I stopped for any number of other reasons. It wasn’t until I stepped back a couple of years ago to re-evaluate my writing that I noticed something: every single part-finished novel I’d written, every fantasy, every sci fi, every fan fiction… all petered out at around 45,000 to 50,000 words.

I saw this, and went: ‘I seem to consistently be able to write around that much. Why not make that the goal, then, instead?’

So I did an experiment. Just picked a random concept I had and decided to write it as a 40-50,000 word novella. Three months later I had a full, complete first draft. It was the first time I’d ever really completely anything.

That was not Prometheus’ Daughter. That particular draft is still sitting on my computer, and there it will remain for the foreseeable future. Not that it was bad, exactly, just that it will require quite a bit of work and doesn’t fit into my existing publishing schedule terribly well. I do plan on revisiting it at some point and getting it into proper form, but it served its purpose: it was my proof of concept.

Pretty much almost exactly a year later, Prometheus’ Daughter was published.

I can’t write enormous doorstopper novels. What I can do is short novels/novellas, and serialise them. So that’s what I’m doing. And with two books out now, I think it’s working out quite nicely. So that’s what I’m going to stick with. I know now what I’m comfortable and capable of accomplishing.

So, yeah. It’s really important to understand what format you’re best at. I just wish someone had told me that ten years ago.

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